Founded in the early nineteenth century, the Royal Academy of Music (RAM) is one of the world’s leading conservatoires and a centre of musical teaching and research. In 2002, John McAslan & Partners completed the first phase of a Heritage Lottery-funded programme of remodelling and extension, establishing a long-term framework to support the Academy’s evolving needs while safeguarding its historic estate.
The masterplan addressed RAM’s cluster of listed buildings on Marylebone Road, including the grade I-listed terrace at 1-5 York Gate, designed in the 1820s by John Nash. Internal interventions transformed this structure into a “living museum” – a practice and teaching facility and archive centre – allowing historic fabric to support contemporary academic life.
Client: Royal Academy of Music
Dates: 1997—2005
Architect:
John McAslan + Partners
Consultants
Davis Langdon & Everest
David Bonnett Associates
Gardiner & Theobald
Oscar Faber
Sandy Brown Associates
David Bonnett
Ralph Appelbaum Associates
General Contractor:
Simons
Performance and place
At the heart of the campus, and the masterplan project, is the David Josefowitz Recital Hall, a 120-seat performance and recording venue located within the tight courtyard between the Nash building and the Academy’s main Queen Anne Revival building by Sir Ernest George. With limited space available on the dense urban site, the hall was placed largely below ground, protecting it from traffic noise while preserving daylight and views for surrounding buildings. Only its arched, zinc-clad roof and acoustically glazed gable are visible at ground level.
The hall’s distinctive barrel-vaulted form gives intimate performances a strong sense of occasion. Internally, the architecture is finely crafted with a precast concrete vault, timber panelling and integrated acoustic baffles supported on an intricate steel framework. Daylight washes across the curved ceiling from the glazed gable, while evening performances are animated by theatrical lighting that draws out the warmth of the materials.
Contemporary in expression yet respectful of its historic setting, the recital hall provides a highly refined performance environment – a space that, like the instruments played within it, is meticulously tuned and ready to be played.